Six Essential Carey Mulligan Films
Carey Mulligan in 'Promising Young Woman'
One 2008’s UK Stars of Tomorrow, The Dig in limited release this week, now seems like the perfect time to take a look at her most essential roles.
An Education (2009)
Mulligan as Jenny in 'An Education'
Although she made her debut in Peter Sarsgaard) after her gives her a ride home in rain. Mulligan is radiant in this role, commanding every scene she’s in, even when up against heavyweights like Alfred Molina and Emma Thompson. The opening credits read “and introducing Carey Mulligan as Jenny” and what an introduction indeed.
An Education
Never Let Me Go (2010)
Domnhall Gleeson, Carey Mulligan, and Keira Knightley in 'Never Let Me Go'
In Andrew Garfield, who discover that they are clones who have been raised for the sole purpose of having their organs donated. It’s a bleak premise, but Mulligan imbues her character with a rich interiority expressed through her soulful gaze as she observes the outward torments of her co-stars, mining the all-too human truth that no matter what one day we all “complete.”
Never Let Me Go
Shame (2011)
Mulligan as Sissy in 'Shame'
In 2011 Mulligan stepped back from leading roles, instead delivering a pair of memorable ing performances in Don’t Bother To Knock.
The Great Gatsby (2013)
Carey Mulligan and Joel Edgerton in 'The Great Gatsby'
The quintessential Great American Novel, F. Scott Fitzgerald’s story has been adapted for the screen a few times, but never with as much panache as Leonardo DiCaprio’s titular Gatsby is obsessed. Daisy is a complicated creature, a woman of her time and of her station. She was raised to be a rich man’s wife, ill-prepared for the real love offered by Gatsby (who himself is ill-prepared for many real things). Mulligan brings her signature ferocity to this role; you can feel her internal struggle as she longs for something more, but lacks the courage to reach for it.
Mudbound (2016)
Mulligan as Laura in 'Mudbound'
You can feel the titular mud permeating from the screen in this Oscar-nominated film from writer-director Dee Rees. Set during and just after WWII, Mulligan plays Laura, the wife of a farmer in the Mississippi Delta, who finds herself overwhelmed by the dirt and mud and traditions that she cannot rise above and at odds with her racist father-in-law. Eventually Laura finds solace in a relationship with her husband’s brother, who self-medicates with alcohol to deal with his PTSD from the war. Shot by cinematographer Rachel Morrison, Mulligan feels like a portrait by Dorothea Lange or Walker Evans brought to vivid life, her anger and disillusionment writ large on her stone face. Laura is a woman hardened by her situation, but through Mulligan’s finely tuned performance, we feel the inextinguishable flame deep within her and know she’ll find the strength to rise above it.
Wildlife (2018)
Carey Mulligan and Jake Gyllenhaal in 'Wildlife'
In Ed Oxenbould) about its difficulties, the disappointments, and the failings she finds in herself, in her husband, in the life they lead as a family; she says the quiet part out loud. In these candid conversations with her son, Mulligan’s line delivery is terse, rather than melodramatic; you feel her weariness, but you also feel the love she has for her son and the determination that he sees things as they really are, not as some sanitized fairy tale of happily ever after.
Promising Young Woman is in select theaters and on VOD. The Dig is now in select theaters and on Netflix on 1/29.
Promising Young Woman
